Irony and attention to the functions are the assumptions on which ‘jugglers’ Achille and Pier Giacomo Castiglioni based their participation in the exhibition Colori e forme nella casa d’oggi, at Villa Olmo, Como, in 1957. This was one of the founding experiences of the Italian design culture, where, as if by magic, a real racing bicycle saddle (Sella) appeared, mounted on a stainless steel column supported by a heavy hemispherical base, capable of a ‘dynamic balance’.

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